In a bid to be cultured and that sort of thing, for the second time this month I trotted along to Sadler’s Wells, this time to watch Grupo Corpo; a Brazillian comapny who have been “reinventing classic ballet since the Seventies.” Not sure what that means but it certainly sounds like an awful lot of re-inventing.
I chose this show mainly because they looked like they did a lot of prancing about, combining ballet with a sprinkling of Riverdance; styles which I’m proud to say I’m quite good at too.
I’ve got no idea how to assess whether or not it was a good performance or not. I think it probably was. The sychonicity, flair and athleticism of the dancers was outstanding and I even had to concede that maybe they were better than me.
On the downside, there was a bit of confusion half way through when the show ended and the dancers started bowing, seemingly a bit prematurely. But after getting over the awkwardness of not really knowing whether or not it was time to leave, we were glad to find out that it was to be a tale of two halves; not just Ímã but Onqotô too.
It was only after the show that I realised just how much it was beyond me. Apparently, “Ímã is inspired by the scientific law of magnetism as particles either repel or attract one another”. Erm, right. Didn’t get that. Nice idea though.
And Onqotô tackles the origins of the universe through, a football match in Rio. Hmm, didn’t quite pick up that bit of the story either. Retrospectively of course, it kind of makes sense. It’s art. And it’s good to watch. Apart from the naked man bit.